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Draping for Apparel Design
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From the Inside Flap
The Third Edition of Draping for Apparel Design brings together Joseph-Armstrong's classic step-by-step instructions in a user-friendly two-color format. Three draping principles and techniques are presented manipulating dart excess, adding fullness, and contour draping showing how to turn two-dimensional drawings into three-dimensional garments. New and updated design projects prepare the reader with the draping techniques and creative elements needed to develop a pattern. Designers will gain essential skills that can be applied to their own designs.
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About the Author
Helen Joseph-Armstrong is a Professor of Fashion Design at the Fashion Center of the Los Angeles Trade-Technical College, USA. A teacher, designer, consultant, and author, Armstrong is a recipient of the Nisod Excellence Award from the University of Texas at Austin and a Life Time Achievement Award from the Association of Sewing and Design Professionals.
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Product details
Paperback: 640 pages
Publisher: Fairchild Books; 3 edition (February 15, 2013)
Language: English
ISBN-10: 9781609012403
ISBN-13: 978-1609012403
ASIN: 1609012402
Product Dimensions:
9 x 1.4 x 11.8 inches
Shipping Weight: 4.5 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
80 customer reviews
Amazon Best Sellers Rank:
#300,950 in Books (See Top 100 in Books)
Great book. I have the Amaden-Crawford already and think it is a very good draping book. This one is , in my opinion, even better (not that the CAC one is bad).First : The book begins with all the basics. Tools, fabric weaving, grain, marking style line, a quick reminder about facings and buttoned extensions etc...Then : How to prepare the figure, with tape over the bust, lines, how to analyse and see the figure if working on a person instead of a dressform. Basic measurements that helps as guidesAnd finally comes the draping process. For the basic set (basic bodice, skirt and sleeve) They are both quite identical in result. The technic differs a little though. I tend to prefer the way HJA pins ease "fold" while draping : one of my major issue in draping is ease ('cause I've draped for several years by myself molding gowns and bustiers before getting into draping eased garment as dress and tailored jackets...)But for the 2 darts bodice I really like the way CAC adds a grainline in the center of her princess panel. This really helped me.I really like that she proposes 2 attachable arms the relaxed (for classic sleeves) and the straight arm (for raglans and kimonos).The people owning her book on patternmaking will encounter some already known styles (I don't know if it's the same for CAC, I only have her draping book). And as on the drafting book you'll find a really consequent amount of styles to drape.
While this book is quite expensive because it is a textbook, it is worth every penny to the advanced sewer who is beyond alterations to ready-made patterns but needs specific concrete instructions on how to drape their own designs. Despite the glamorous cover, the book is practical and straightforwardly organized. Fully-illustrated, it clearly walks you through draping every imaginable garment, one component at a time. You do have to be working off an actual body or a dressform, as this is draping to personalized fit, not pattern-making to industry specs. If you have not mastered garment construction the book will be over your head. It truly sticks to the topic of draping and design. There are many aspects of making original clothing which are not covered, from fabric selection to couturier construction techniques. This is not an advanced sewing manual. It is about draping and I can't imagine it being more clear or thorough on that topic. Invaluable for the new designer. If only it came with Tim Gunn to offer constructive critiques as you worked...
This book is great for those with intermediary / advanced sewing skills who have a lot of creativity but still need a few pointers to make their sketches come true. It's an education. If you are a beginner and are serious about learning, it's a good investment too, just keep in mind the book assumes you already knows the basics and won't be holding your hand step-by-step.
I've had this book for about a month and it is already falling apart. For the price I paid for this book, this shouldn't be happening. I've asked other classmates and they've all said the same thing. My rating reflects that of my disappointment. As for the book itself, it's okay but I wouldn't say it's the greatest book for beginners. I agree with a past reviewer that said this book is best used with an instructor.
I absolutely adore this book. Its so easy to understand and has very detailed steps and great photos to follow along. I first saw this book at school for the fashion design students and fell in love. It took a long time to arrive but that's probably because I'm spoiled by Amazon Prime. I expected it to arrive slightly used since the seller described it as so but it looks new! Very happy with my purchase. Can't wait to get started.
I took draping at FIT decades ago but I'm just starting to get back into design. The text book I had was the size of a child's story book. This book goes into great depth while giving easy to follow instructions and plenty of photos to follow along. Fantastic! It's a must have if you want to learn draping.
If you are an aspiring fashion designer this book is very simplistic. Worth every penney.
I wanted to wean myself off dependency on commercial patterns and having invested in a dress form, I came across this book. It's a bit pricey but it turns out that it's a fashion school text book, hence the price tag. The text is very well-written and illustrated. The author has the reader analyze a fashion drawing, and identify the structural components of a particular garment as most embellishments can be broken down to basic components (i.e. dart excesses).My only peeve was that some definitions for terms I wasn't familiar with (e.g. Princess Line) couldn't be found in the back of the book. Also, not all the formats seen in fashion are portrayed in this book. Most, if not all, garment examples have a waist or empire seam, and designed for woven fabrics (no knits); and as far as I can tell, the author doesn't direct the reader/student on how to accomodate for that. However, I am happy that there is a section on bias-cut gowns (the info. is very hard to come by on the Net) As a self-taught sewer and wanna-be designer, this book will definitely help me to go to further.
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